Sunday, September 22, 2013

Beyond the Clouds



Antonioni paradox: Ultra-slow films I can't get enough of
Here's another Antonioni masterpiece (assisted and with a few connecting scenes directed by Wim Wenders) that will be rediscovered again and again as soon as enough people see it on DVD. I saw it a few months ago when it ran for the first time (even in metropolitan movie capital L.A.!) for a couple of weeks and then disappeared (art house audiences seem to have opted for their own special territory, where older favorites like Antonioni and Resnais are only welcome as occasional curiosities).

At first I was disappointed, thought the pace unbearably boring (how can anyone sit through this thing more than once?), and that the man had lost a chance (for years Antonioni had found it difficult to find financing) at an advanced age to add another masterpiece to his canon. But, remembering how I had reacted negatively to "Blow-Up" and "The Passenger" and later completely reversed my opinion, I refused to pass judgment until I had seen it again.

I went back th!e next day...

Cloudscapes from a Great Director
The great Italian director Michelangelo Antonioni spins four dreamy tales into an uneven but satisfying confection concerning passion and connectivity. Though not as bitter as La Notte and L'Avventura (two of his masterpieces), in this film Antonioni seems more pensive and nostalgic for the tragedy of passing time and lost love. A great cast fills the landscape of lovers trying to connect and passions boiling beneath the surface, some fulfilled, others disappointingly engaged. John Malkovich wanders through the film as a narrator connecting the threads of the four stories (the direction assisted by Wim Wenders due to Antonioni's age and the after effects of a stroke), and the international cast of Peter Weller, Irene Jacob, Vincent Perez, Sophie Marceau and Jean Reno are perfectly tuned in to the director's icy, haunting style. A brief cameo by Marcello Mastroianni and Jeanne Moreau (stars of La Notte) is touching and sad. This film is a must for Antonioni's fans; his scene...

romantic stories in beautiful places
I love this movie so much that I will be the first one in line to buy the DVD.

For those of you who love well-designed plots, like those of Manon of the Spring or Sixth Sense, you may be disappointed by the stories in this movie. All four stories were not linked in any meaningful way.

The first story was about a young man, who secretly fell in love with a beautiful young woman (Inès Sastre) that he met in a street. It was the kind of Platonic love in which he loved her spiritually but feared that physical attachment would destroy this relationship. It reminds me of John Cage and Nelle Porter in the Ally McBeal show. Only they were more innocent.

The second story was a bizarre one. John Malkovich and Sophie Marceau were two mysterious strangers who met in a small shop on the shore of a beautiful lake (or sea?). They felt connected in some way that was not easily understandable to the audience.

The third story was about a love triangle in a big city. This...

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